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Book Categories |
| I | Lines and Forms | |
| Poetry, Verse and Prose: The End of the Line | 3 | |
| Notes on Poetic Form | 24 | |
| Tales of the Oulipo | 29 | |
| II | Seven Poets | |
| Three Meditations on Wallace Stevens | 35 | |
| Elizabeth Bishop's Prison Sentences | 53 | |
| Delmore, Delmore: A Mournful Cheer | 65 | |
| Elemental Bravery: The Unity of James Merrill's Poetry | 82 | |
| A. R. Ammons: Where Motion and Shape Coincide | 121 | |
| John Hollander: The Sound and Sense of the Sleight-of-Hand Man | 146 | |
| The Pleasures of John Ashbery's Poetry | 167 | |
| III | The Life of Words | |
| Money and Poetry | 185 | |
| Poetry and the Golden Age | 192 | |
| The Vision Thing | 195 | |
| Poets Who Work for a Living | 198 | |
| Ambassadors of the Word | 203 | |
| Synecdoches of the Subconscious | 209 | |
| Under the Influence of Harold Bloom | 214 | |
| Freshman English | 218 | |
| Criticism and Crisis | 221 | |
| IV | Twenty Questions | |
| Twenty Questions: An Interview | 235 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Rob Pienta
reviewed The Line Forms Here on November 18, 2015
The Line Forms Here
Where We Stand: Women Poets on Literary Tradition ed. by Sharon Bryan
I bought this book for $.50 on the street. It was copywrighted in 1993. If I were a poetry teacher, it would be part of my course syllabus. I think that the discussion that these emminent poets have about our literary tradition, covering all viewpoints is inspiring and educational. While I certainly disagreed with some viewpoints, and while some of the entries were entirely too textbook for poets to be writing, as a female writer, I found it driving me to write and create on a daily basis.
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