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Foreword David Hyde Pierce Pierce, David Hyde
Pt. 1 The Actor
Introduction 3
1 Concept 11
2 Identity 22
3 Substitution 34
4 Emotional Memory 46
5 Sense Memory 52
6 The Five Senses 60
7 Thinking 65
8 Walking and Talking 69
9 Improvisation 73
10 Reality 75
Pt. 2 The Object Exercises
Introduction 81
11 The Basic Object Exercise 91
12 Three Entrances 95
13 Immediacy 102
14 The Fourth Wall 106
15 Endowment 112
16 Talking to Yourself 119
17 Outdoors 124
18 Conditioning Forces 129
19 History 134
20 Character Action 139
Pt. 3 The Play and the Role
Introduction 145
21 First Contact with the Play 147
22 The Character 152
23 Circumstances 158
24 Relationship 165
25 The Objective 174
26 The Obstacle 180
27 The Action 184
28 The Rehearsal 192
29 Practical Problems 201
30 Communication 213
31 Style 217
Epilogue 222
Index 224
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Add Respect for Acting, At the invitation of Herbert Berghof, Uta Hagen joined the faculty of the HB Studio in 1947. Since then, teaching has always been a challenge for her, as well as for the many prominent actors whom she has helped to develop. For many years, she has been as, Respect for Acting to the inventory that you are selling on WonderClubX
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Add Respect for Acting, At the invitation of Herbert Berghof, Uta Hagen joined the faculty of the HB Studio in 1947. Since then, teaching has always been a challenge for her, as well as for the many prominent actors whom she has helped to develop. For many years, she has been as, Respect for Acting to your collection on WonderClub |