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A journalist and activist, Canela believes passion is essential to life; but lately passion seems to be in short supply. It has disappeared from her relationship with her fiancé, who is more interested in controlling her than encouraging her. It's absent from her work, where censorship and politics keep important stories from being published. And while her family is full of outspoken individuals, the only one Canela can truly call passionate is her cousin and best friend Luna, who just took her own life.
Canela can't recover from Luna's death. She is haunted by her ghost and feels acute pain for the dreams that went unrealized. Canela breaks off her engagement and uses her now un-necessary honeymoon ticket, to escape to Paris. Impulsively, she sublets a small apartment and enrolls at Le Coq Rouge, Paris's most prestigious culinary institute.
Cooking school is a sensual and spiritual reawakening that brings back Canela's hunger for life. With a series of new friends and lovers, she learns to once again savor the world around her. Finally able to cope with Luna's death, Canela returns home to her family, and to the kind of life she thought she had lost forever.
Screenwriter Lopez ventures into fiction with her abysmal chronicle of a depressed journalist who learns to cook while attempting to find herself in Paris. After calling off her engagement and after her cousin Luna's suicide, Canela begins losing it, but comes out of her funk once she decides to use her honeymoon tickets to Paris. Upon hearing that she can extend her stay by attending culinary school, Canela signs up, and soon she's in the sack with her class translator, as well as a handful of strangers and chefs. Canela also reflects on her childhood as an illegal immigrant and her status as a woman and once-again foreigner. Mixed in are a number of clunky digs against the Bush administration. Lopez has a hard time making the elements fuse, and her narrative is choppy and amateurish, with scenes swinging from frantic kitchen action through dreamy philosophizing to graphic sex and back. Often mentioned are the famous expat writers who made their names in Paris, but this work is far below theirs. (Mar.)
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