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The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel Book

The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel
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The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel, This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian periods that have so often been rather read, The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel
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  • The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel
  • Written by author Stephen Hancock
  • Published by Taylor & Francis, 2005
  • This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been rather read
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Authors

Acknowledgements
Chapter 1 Moral Authority and the Sublime: Kantian Idealism, Burkean Empiricism, and the Absolutely Small
Chapter 2 "That Huge Fermenting Mass": Wordsworth and the Divisible Self
Chapter 3 Percy Bysshe Shelley's Sublime Woman and the Divisible Sublime
Chapter 4 The Sublime Woman and the Mature Middle-class Man in Middlemarch
Chapter 5 Fearing Their Bodies: The King, the Queen and the Sublime in Thackeray
Chapter 6 How Little is Dorrit?: Dickens and the Sublimity of Absolute Smallness
Chapter 7 Jude the Obscure and the Tragedy of Aesthetic Ideology
Bibliography
Index


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The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel, This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian periods that have so often been rather read, The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel

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The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel, This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian periods that have so often been rather read, The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel

The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel

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The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel, This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian periods that have so often been rather read, The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel

The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel

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