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General Introduction | ||
Introduction: A Junction at Eighth Street 1 | ||
1 | Getting Rid of the Glue: The Music of the New York School | 17 |
2 | The Physical and the Abstract: Varese and the New York School | 57 |
3 | Stefan Wolpe and Abstract Expressionism | 75 |
4 | John Cage and the "Aesthetic Of Indifference" | 113 |
5 | A Question of Order: Cage, Wolpe, and Pluralism | 135 |
6 | Painting by Numbers: The Intersections of Morton Feldman and David Tudor | 159 |
7 | Feldman's Painters | 173 |
8 | Jasper Johns and Morton Feldman: What Patterns? | 217 |
About the Contributors | 249 | |
Index | 251 |
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Add The New York Schools of Music and Visual Arts, Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David T, The New York Schools of Music and Visual Arts to the inventory that you are selling on WonderClubX
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Add The New York Schools of Music and Visual Arts, Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David T, The New York Schools of Music and Visual Arts to your collection on WonderClub |