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Acknowledgments | ||
1 | Introduction | 1 |
2 | Nationalism and Construction of Gender in Korea | 9 |
3 | Begetting the Nation: The Androcentric Discourse of National History and Tradition in South Korea | 33 |
4 | Men's Talk: A Korean American View of South Korean Constructions of Women, Gender, and Masculinity | 67 |
5 | Kindred Distance | 119 |
6 | Re-membering the Korean Military Comfort Women: Nationalism, Sexuality, and Silencing | 123 |
7 | Prostitute Bodies and Gendered States in U.S.-Korea Relations | 141 |
8 | Yanggongju as an Allegory of the Nation: Images of Working-Class Women in Popular and Radical Texts | 175 |
9 | Working Women and the Ontology of the Collective Subject: (Post)Coloniality and the Representation of Female Subjectivities in Hyon Ki-yong's Paramt'anun som (Island in the Wind) | 203 |
10 | Mother Load | 223 |
11 | Ideals of Liberation: Korean Women in Manchuria | 229 |
12 | Re-membering Home | 249 |
13 | A Peculiar Sensation: A Personal Genealogy of Korean American Women's Cinema | 291 |
14 | Contributors' Notes | 323 |
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