Facts, Fiction, and African Creative Imaginations Book

Introduction Toyin Falola and Fallou Ngom Part I: Significance of African Popular Icons and Cultures 1. Whose Image of Whose Africa? Problems of Representation in Ryszard Kapuscinski’s The Shadow of the Sun. Lena L. Khor 2. Prophetess: Aline Sitoé Diatta as a Contested Icon in Contemporary Senegal Robert M. Baum 3. Custom and Politics in Ghanaian Popular Culture Beverly J. Stoeltje 4. Tribal Marks among the Oyo Yoruba of Southwestern Nigeria in the 21st Century Elizabeth Adenike Ajayi and Sekinat Kola-Aderoju 5. Echoes of African Praise Songs in the Poetry of Kamau Brathwaite Michael Sharp Part II: Religion and African Creative Imaginations 6. Devil Worship as a Moral Discourse about Youth in Kenya David A. Samper 7. A Historical Analysis of Ojube-Oba Festival in Ijebu Ode, Nigeria Abiodun Akeem Oladiti 8. Temne Agency in the Propagation and Africanization of Islam in Colonial Freetown, 1920-1961 Joseph J. Bangura 9. The Antenna and the Mosque: Liberatory Mass Media in Moolaadé. Gerise Herndon Part III: Gender and African Artistic Imaginations 10. Re-imagining Gender Spaces in Abbas Sadiq’s and Zainab Idris’s Video-Film Albashi. Carmen McCain 11. "What’s an Old Man Like You Doing with a Saignante Like Me?" Kenneth W. Harrow 12. An African Feminist Analysis of Popular Culture Roberta K. Timothy 13. Other Monsters: Gender Complexities of (Femi/woma/stiwa)nism in Bessie Head’s When Rain Clouds Gather. Simone Sessolo Part IV: African Cultures and Artistic Imaginations 14. Lu jot bët bi? (Wolof: What’s Wrong with the Eye [I]?) Ousmane Sembène and Djibril Diop Mambéty: African Cinema Rhetoric and the Search for Authenticity Debbie Olson 15. Dak’Art, Biennial of Contemporary African Art: Conjunction of Styles and Concepts Hélène Tissières 16. Gloom and Grime to Crime: Fate of Migrants as Depicted in Journey Motif by Two Nigerian Movies Kayode Animasaun 17. The No.1 Popular Detective Series, the Invention of Botswana and the Postcolonial Sublime. Derek Barker 18. Narration and Vernacular in Mohamed Berrada's Lu’bat al-Nisyan. Johanna Sellman