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Acknowledgments Introduction: White Genres, Black Traditions? Anansi, Peter Parker, and Other Tropes 1: The Meaning of the Past? Allegory in Octavia E. Butler’s Wild Seed (1980) 2: Traveling through Time: Vampire Fiction and the Black Atlantic in Jewelle Gomez’s The Gilda Stories (1991) 3: Dystopian Future and Utopian Vision: Surviving Apocalypse in Octavia E. Butler’s Parable of the Sower (1993) 4: A Better Future? Ambiguity, Cyberpunk, and Caribbean Syncretism in Nalo Hopkinson’s Midnight Robber (2000) Conclusion: The Virtual Subculture of Black Atlantic Speculative Fiction Play It Forward: Black Atlantic Speculative Fiction and Its Futures Notes Bibliography Index
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Add Black Atlantic Speculative Fictions: Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson, Since the 1980s, an increasing number of black writers have begun publishing speculative-fantastic fictions such as fantasy, gothic, utopian and science fiction. Writing into two literary traditions that are conventionally considered separate -- white spe, Black Atlantic Speculative Fictions: Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson to the inventory that you are selling on WonderClubX
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Add Black Atlantic Speculative Fictions: Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson, Since the 1980s, an increasing number of black writers have begun publishing speculative-fantastic fictions such as fantasy, gothic, utopian and science fiction. Writing into two literary traditions that are conventionally considered separate -- white spe, Black Atlantic Speculative Fictions: Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson to your collection on WonderClub |