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List of figures vii
Soundtrack ix
Acknowledgements xi
1 Theoretical introduction to sound media 1
1 Sound and listening 2
2 Medium theory 9
3 Backwards History 16
4 Auditory rhetoric 19
Part I The present time 31
2 The acoustic computer: Nervous experiments with sound media 33
3 Synthetic music: Digital recording in great detail 51
4 The mobile public: Journalism for urban navigators 66
5 Phone radio: Personality journalism in voice alone 81
6 Loudspeaker living: Pop music is everywhere 97
Part II Backwards history III
7 Tape control: A revolution in recorded music, 1970s-1950s 113
8 The acoustic nation: Live journalism, 1960s-1930s 129
9 Microphone moods: Music recording, 1940s-1930s 152
10 Atmospheric contact: Experiments in broadcasting, 1920s-1900s 166
11 The repeating machine: Music recording, 1920s-1870s 181
References 196
Soundtrack supplement 206
Index 213
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Add Sound Media: From Live Journalism to Musical Recording, Sound Media considers how music recording, radio broadcasting and muzak influence people's daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre st, Sound Media: From Live Journalism to Musical Recording to the inventory that you are selling on WonderClubX
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Add Sound Media: From Live Journalism to Musical Recording, Sound Media considers how music recording, radio broadcasting and muzak influence people's daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre st, Sound Media: From Live Journalism to Musical Recording to your collection on WonderClub |