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| List of figures | ||
| List of tables | ||
| Acknowledgments | ||
| Prologue | 1 | |
| Pt. I | Box-office champions, chaotic dynamics and herding | 7 |
| 1 | The market for motion pictures: rank, revenue and survival | 11 |
| 2 | Bose-Einstein dynamics and adaptive contracting in the motion picture industry | 28 |
| 3 | Quality evaluations and the breakdown of statistical herding in the dynamics of box-office revenue | 48 |
| Pt. II | "Wild" uncertainty, tough decisions and false beliefs | 65 |
| 4 | Uncertainty in the movie industry: can star power reduce the terror of the box office? | 71 |
| 5 | Does Hollywood make too many R-rated movies?: risk, stochastic dominance and the illusion of expectation | 99 |
| 6 | Big budgets, big openings and legs: analysis of the blockbuster strategy | 122 |
| Pt. III | Judges, lawyers and the movies | 139 |
| 7 | Motion picture antitrust: the Paramount cases revisited | 143 |
| 8 | Was the antitrust action that broke up the movie studios good for the movies?: evidence from the stock market | 176 |
| 9 | Stochastic market structure: concentration measures and motion picture antitrust | 190 |
| Pt. IV | A business of extremes | 207 |
| 10 | Motion picture profit, the stable Paretian hypothesis and the curse of the superstar | 211 |
| 11 | Contracting with stars when "nobody knows anything" | 231 |
| 12 | How extreme uncertainty shapes the movie business | 255 |
| Epilogue: can you manage a business when "nobody knows anything"? | 267 | |
| Notes | 276 | |
| Bibliography | 298 | |
| Index | 305 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Glenn Murphy
reviewed Hollywood Economics on October 13, 2019 Hollywood Economics
A short and convincing book for anyone who wants to understand the climate change debates. The book is easy to follow but might be a bit too condensed and consuming much mental energy (expect to work out discount rate and judging a lot of debates) but I found it much more convincing and informative than popular titles like Naomi Klein's book (which is more like a bunch of sensational stories with some optimistic statements), or Paul Gliding's.
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