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Preface and Acknowledgments ix
A Note on the English Translations of the Critique of the Power of Judgment xiii
Introduction 1
A guide to the entire third Critique 1
Kant's philosophical style 3
The historical composition of the Critique of the Power of Judgment 8
Eighteenth-century aesthetic theory prior to Kant 11
The pleasure in pure beauty ([section section]1-22; [section section]30-40) 15
The first logical moment: judgments of pure beauty are aesthetic and disinterested ([section section]1-5) 18
The second logical moment: judgments of pure beauty are grounded upon a universal feeling of approval ([section section]6-9) 29
The third logical moment: judgments of pure beauty reflect upon how an object's configuration appears to have been the result of an intelligent design ([section section]10-17) 45
The fourth logical moment: the universal feeling of approval that grounds judgments of pure beauty carries the force of necessity ([section section]18-22) 76
The Deduction (Legitimation) of Judgments of Pure Beauty ([section section]30-40) 81
The sublime and the infinite ([section section]23-29) 94
Sublimity is subordinate to beauty 94
The infinite magnitude of the mathematically sublime 100
The overwhelming power of the dynamically sublime 105
The fine arts and creative genius ([section section]41-54) 112
Artistic beauty vs. natural beauty 112
Kant's theory of genius 122
Aesthetic ideas and the beauty of fine art 127
Aesthetic ideas and natural beauty 134
The division of the fine arts 136
Beauty's confirmation of science and morality ([section section]55-60) 144
The antinomy of taste 144
Aesthetic ideas, genius, and the supersensible substrate of nature 158
Aesthetic ideas, genius, and the supersensible substrate of the human personality 163
The unitary idea of the supersensible 164
The subjectivity of the a priori principle of judgment 166
Beauty as a symbol of morality 170
Crossing the "incalculable gulf" between nature and morality 176
Beauty as a symbol of scientific completeness 181
Living organisms, God, and intelligent design ([section section]61-91) 184
Natural purposes ([section section]61-68) 184
The compatibility of science and morality ([section section]69-78) 209
The moral argument for God's existence ([section section]79-91) 233
Conclusion: the music of the spheres and the idealization of reason 257
Notes 262
Bibliography 273
Index 280
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Routledge Philosophy GuideBook to Kant on Judgement, Kant's Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third Critique section by section, and introduces and assesses:
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Routledge Philosophy GuideBook to Kant on Judgement, Kant's Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third Critique section by section, and introduces and assesses:
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