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| Preface | ||
| Acknowledgements | ||
| Pt. 1 | Decoding the artefact | 1 |
| 1.1 | The sign: from Course in General Linguistics | 3 |
| 1.1 | The sign: from Collected Papers | 10 |
| 1.2 | Myth: from Mythologies | 12 |
| 1.3 | Structure: from 'The Structural Study of Myth' | 17 |
| 1.4 | The frame: from Frame Analysis | 24 |
| Pt. 2 | The politics of performance | 31 |
| 2.1 | Ideology: from 'Ideology and the Ideological State Apparatuses' | 32 |
| 2.2 | Epic theatre: from 'The Street Scene' | 43 |
| 2.3 | The postmodern avant-garde: from The Postmodern Condition | 49 |
| Pt. 3 | Performing gender and sexual identity | 57 |
| 3.1 | Constructing gender I: The property model: from This Sex Which Is Not One | 59 |
| 3.2 | Constructing gender II: The culture/nature model: from 'Sorties' | 66 |
| 3.3 | The drag act: from Gender Trouble | 72 |
| 3.4 | Gestic criticism: from 'Brechtian Theory/Feminist Theory' | 77 |
| 3.5 | Acting camp: from The Politics and Poetics of Camp | 86 |
| Pt. 4 | Performing ethnicity | 95 |
| 4.1 | The Other: from 'The Economy of Manichean Allegory' | 97 |
| 4.2 | Blackface: from Love and Theft | 104 |
| 4.3 | The resisting viewer: from 'Teaching Resistance' | 111 |
| 4.4 | Orality: from 'De-scribing Orality' | 116 |
| Pt. 5 | The performing body | 125 |
| 5.1 | Political bodies: from Discipline and Punish | 127 |
| 5.2 | Moving bodies: the mime: from 'The Discourse of (the) Mime' | 133 |
| 5.3 | Transgressive bodies: from 'The Body of Signification' | 140 |
| 5.4 | The body adorned: from Adorned in Dreams | 146 |
| Pt. 6 | The space of performance | 155 |
| 6.1 | Enacting space: from 'Space and Context' | 156 |
| 6.2 | Locus and Platea: from Shakespeare and the Popular Tradition | 164 |
| 6.3 | Environmental space: from Places of Performance | 170 |
| Pt. 7 | Spectator and audience | 177 |
| 7.1 | The interactive spectator: from 'Interaction between Text and Reader' | 179 |
| 7.2 | The gaze: from 'Visual Pleasure and Narrative Cinema' | 185 |
| 7.3 | Structure of feeling: from Marxism and Literature | 193 |
| Pt. 8 | At the borders of performance | 201 |
| 8.1 | Liminal and liminoid: from 'Liminal to Liminoid, in Play, Flow, and Ritual' | 202 |
| 8.2 | The pageant: from Carnival and Theatre | 210 |
| 8.3 | Carnival: from Rabelais and His World | 216 |
| 8.4 | Deep play: from 'Deep Play: Notes on the Balinese Cockfight' | 222 |
| Pt. 9 | Analysing performance: The Patrice Pavis Questionnaire | 229 |
| Bibliography | 233 | |
| Index | 245 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Daniel Walton
reviewed Performance Analysis: An Introductory Coursebook on July 30, 2014
Performance Analysis: An Introductory Coursebook
A work filled with original-source 'reprinted' skits, reviews, advertisements, etc. along with photos.
Read for personal historical research. I found this work of immense interest and its contents helpful and inspiring - number rating relates to the book's contribution to my needs.
Overall, this work is also a good resource for the researcher and enthusiast.
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Add Performance Analysis: An Introductory Coursebook, This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as:, Performance Analysis: An Introductory Coursebook to the inventory that you are selling on WonderClubX
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Add Performance Analysis: An Introductory Coursebook, This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as:, Performance Analysis: An Introductory Coursebook to your collection on WonderClub |
