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Series Editor's Preface | ||
Acknowledgements | ||
Introduction | 1 | |
1 | Origins: Saussure, Bakhtin, Kristeva | 8 |
The relational word: Saussure | 8 | |
The social word: Bakhtin | 14 | |
Dialogism | 21 | |
Tel Quel, production: Kristeva | 30 | |
Dialogism to intertextuality | 35 | |
Transposition | 47 | |
Bakhtin or Kristeva? | 56 | |
2 | The text unbound: Barthes | 61 |
From work to text | 61 | |
The death of the Author | 70 | |
Readerly and writerly texts | 76 | |
The paradoxical text | 89 | |
3 | Structuralist approaches: Genette and Riffaterre | 95 |
Structuralist poetics: Genette | 97 | |
Transtextuality | 101 | |
Paratextuality | 103 | |
Hypertextuality | 107 | |
Structuralist hermeneutics: Riffaterre | 115 | |
Literary competence | 125 | |
4 | Situated readers: Bloom, feminism, postcolonialism | 133 |
Influence revisited: Bloom | 133 | |
Mapping misreading | 135 | |
Gynocriticism and intertextuality | 144 | |
The return of the female author | 154 | |
The return to Bakhtin: feminism and postcolonialism | 159 | |
5 | Postmodern conclusions | 174 |
Intertextuality in the non-literary arts | 174 | |
Postmodernism and intertextuality | 181 | |
Postmodernism and the return of history | 188 | |
Intertextuality, hypertextuality and the World Wide Web | 199 | |
Conclusion | 209 | |
Glossary | 210 | |
Bibliography | 222 | |
Index | 233 |
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