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Acknowledgements | ||
Abbreviations | ||
1 | Thresholds | 1 |
2 | Dynamics of world-play between contexts, texts and participants: Diderot's Jacques le fataliste | 16 |
3 | 'The novel' as we know it? Balzac's Le Pere Goriot | 48 |
4 | The written artefact and the authority of absence: Flaubert's Madame Bovary | 73 |
5 | The doubly-authorized text - personal responsibility and social roles: Zola's L'Assommoir | 101 |
6 | Self-assertion and the dynamics of power: Celine's Voyage au bout de la nuit | 125 |
7 | The novel as mediation: Sarraute's Portrait d'un inconnu | 150 |
8 | Further dynamics of world-play: Perec's W ou le souvenir d'enfance | 176 |
Afterword: Genres, participants and territorial behaviour | 202 | |
Notes | 214 | |
Bibliography | 238 | |
Index | 254 |
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Add Negotiating the New in the French Novel: Building Contexts for Fictional Worlds, In Negotiating the New in the French Novel Teresa Bridgeman applies insights from pragmatic theory to the French novel in order to examine its discourse conventions. Focussing on texts by some of the greatest and most innovative French novelis, Negotiating the New in the French Novel: Building Contexts for Fictional Worlds to the inventory that you are selling on WonderClubX
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Add Negotiating the New in the French Novel: Building Contexts for Fictional Worlds, In Negotiating the New in the French Novel Teresa Bridgeman applies insights from pragmatic theory to the French novel in order to examine its discourse conventions. Focussing on texts by some of the greatest and most innovative French novelis, Negotiating the New in the French Novel: Building Contexts for Fictional Worlds to your collection on WonderClub |