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1 | Introduction: Shakespeare and Performance Theory | 1 |
2 | Staging "Shakespeare": Acting, Authority, and the Rhetoric of Performance | 12 |
3 | Performance and Participation: Desdemona, Foucault, and the Actor's Body | 29 |
4 | Squeaking Cleopatras: Gender and Performance in Antony and Cleopatra | 46 |
5 | Looking for Mr. Shakespeare After "The Revolution": Robert Lepage's Intercultural Dream Machine | 68 |
6 | Shakespeare, Voice, and Ideology: Interrogating the Natural Voice | 92 |
7 | Acting Shakespeare in Postcolonial Space | 113 |
8 | Shakespeare Without His Language | 133 |
9 | Historicizing Alan Dessen: Scholarship, Stagecraft, and the "Shakespeare Revolution" | 149 |
10 | Rethinking the Performance Editions: Theatrical and Textual Productions of Shakespeare | 168 |
11 | Drowning the Book: Prosperos's Books and the Textual Shakespeare | 187 |
Notes on contributors | 210 | |
Index | 213 |
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Add Shakespeare, Theory and Performance, Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection r, Shakespeare, Theory and Performance to the inventory that you are selling on WonderClubX
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Add Shakespeare, Theory and Performance, Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection r, Shakespeare, Theory and Performance to your collection on WonderClub |