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Acknowledgements | ||
Introduction: Towards a theory of interculturalism in theatre? | 1 | |
Interculturalism in Contemporary Theatre | 27 | |
Interculturalism and the Culture of Choice | 41 | |
There Are at Least Three Americas | 51 | |
The Culture of Links | 63 | |
"Remembering the Others That are Us": Transculturalism and myth in the theatre of Peter Brook | 67 | |
Brook and Mnouchkine: Passages to India? | 79 | |
"The Theatre is Oriental" | 93 | |
Hear, See, Act | 99 | |
Japanese Traces in Robert Wilson's Productions | 105 | |
Dario Fo From One Language to Another | 114 | |
The Duty to Translate | 121 | |
Antoine Vitez: The Script and the Spoken Word - Intercultural dialogue in the theatre | 131 | |
Theatre of Gesture and Image | 140 | |
The Reinvention of Theatrical Tradition: Critical discourses on interculturalism in the African Theatre | 149 | |
Languages of African Theatre: A Nigerian casebook | 162 | |
"It Is Political If It Can Be Passed On" | 172 | |
Between Separation and Integration: Intercultural strategies in contemporary Maori theatre | 179 | |
China Dream: A Theatrical Dialogue Between East and West | 188 | |
Somebody's Other: Disorientations in the cultural politics of our times | 196 | |
Eurasian Theatre | 217 | |
Eugenio Barba's Theatre Anthropology: An intercultural methodology | 223 | |
Around Theatre: The Orient - the Occident | 231 | |
Grotowski - The Absent Presence | 242 | |
The Possibilities and Politics of Intercultural Penetration and Exchange | 247 | |
Index | 257 |
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