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Series editor's introduction | ||
Notes on contributors | ||
Acknowledgements | ||
Introduction | 1 | |
1 | To analyse a poem stylistically: 'To Paint a Water Lily' by Ted Hughes | 7 |
2 | Person to person: relationships in the poetry of Tony Harrison | 21 |
3 | Approaching Hill's 'Of Commerce and Society' through lexis | 32 |
4 | The lyrical game: C. Day Lewis's 'Last Words' | 46 |
5 | Between languages: grammar and lexis in Thomas Hardy's 'The Oxen' | 57 |
6 | The auditory imagination and the music of poetry | 68 |
7 | Teach yourself 'rhetoric': an analysis of Philip Larkin's 'Church Going' | 87 |
8 | (Non)-communication in the park | 100 |
9 | Poetry and public life: a contextualized reading of Seamus Heaney's 'Punishment' | 112 |
10 | The difficult style of The Waste Land: a literary-pragmatic perspective on modernist poetry | 134 |
11 | The poem and occasion | 159 |
12 | 'Yo soy la Malinche': Chicana writers and the poetics of ethnonationalism | 171 |
Index | 188 |
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