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Series editor's introduction | ||
Notes on contributors | ||
Acknowledgements | ||
Introduction | 1 | |
1 | To analyse a poem stylistically: 'To Paint a Water Lily' by Ted Hughes | 7 |
2 | Person to person: relationships in the poetry of Tony Harrison | 21 |
3 | Approaching Hill's 'Of Commerce and Society' through lexis | 32 |
4 | The lyrical game: C. Day Lewis's 'Last Words' | 46 |
5 | Between languages: grammar and lexis in Thomas Hardy's 'The Oxen' | 57 |
6 | The auditory imagination and the music of poetry | 68 |
7 | Teach yourself 'rhetoric': an analysis of Philip Larkin's 'Church Going' | 87 |
8 | (Non)-communication in the park | 100 |
9 | Poetry and public life: a contextualized reading of Seamus Heaney's 'Punishment' | 112 |
10 | The difficult style of The Waste Land: a literary-pragmatic perspective on modernist poetry | 134 |
11 | The poem and occasion | 159 |
12 | 'Yo soy la Malinche': Chicana writers and the poetics of ethnonationalism | 171 |
Index | 188 |
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Add Stylistic Criticism of Twentieth-Century Poetry: From Text to Context, This textbook provides a thought-provoking introduction to the practice of literary stylistics. It is based on extensive teaching experience, and makes new insights from linguistic and literary scholarship accessible to students in their daily practice of, Stylistic Criticism of Twentieth-Century Poetry: From Text to Context to the inventory that you are selling on WonderClubX
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Add Stylistic Criticism of Twentieth-Century Poetry: From Text to Context, This textbook provides a thought-provoking introduction to the practice of literary stylistics. It is based on extensive teaching experience, and makes new insights from linguistic and literary scholarship accessible to students in their daily practice of, Stylistic Criticism of Twentieth-Century Poetry: From Text to Context to your collection on WonderClub |