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| Acknowledgements | ||
| A note on transliteration and names | ||
| Introduction | 3 | |
| 1 | Historical Background | 13 |
| 2 | The Society of Art and Literature | 24 |
| 3 | The Creation of a New Theatre | 32 |
| 4 | The Hermitage Theatre on Carriage Row | 49 |
| 5 | Actors, Salaries, Conditions of Service | 58 |
| 6 | Savva Morozov and the Lianozov Theatre | 68 |
| 7 | First Season: 1898-1899: Tsar Fedor Ioannovich | 85 |
| The Sunken Bell | ||
| The Merchant of Venice | ||
| Despots | ||
| Greta's | ||
| Happiness | ||
| The Mistress of the Inn | ||
| The Seagull | ||
| Antigone | ||
| Hedda Gabler | ||
| 8 | Second Season: 1899-1900 | 112 |
| The Death of Ivan the Terrible | ||
| Twelfth Night | ||
| Drayman Henschel | ||
| Uncle Vanya | ||
| Lonely Lives | ||
| 9 | Third Season: 1900-1901 | 121 |
| The Snow Maiden | ||
| An Enemy of the People | ||
| When We Dead Awaken | ||
| Three Sisters | ||
| 10 | Fourth Season: 1901-1902 | 128 |
| The Wild Duck | ||
| Michael Kramer | ||
| In Dreams | ||
| The Merchant Class | ||
| 11 | Fifth Season: 1902-1903 | 132 |
| The Power of Darkness | ||
| The Lower Depths | ||
| The Pillars of Society | ||
| 12 | Sixth Season: 1903-1904 | 152 |
| Julius Caesar | ||
| The Cherry Orchard | ||
| 13 | Season Seven to Season Ten: 1904-1908 | 165 |
| The Intruder | ||
| The Interior | ||
| The Blind | ||
| Ivanov | ||
| Ghosts | ||
| Children of the Sun | ||
| 'Tis Folly to be Wise | ||
| Brand | ||
| The Drama of Life | ||
| Boris Godunov | ||
| The Life of Man | ||
| Rosmersholm | ||
| 14 | Seasons Eleven and Twelve: 1908-1909 | 178 |
| The Blue Bird | ||
| The Government Inspector | ||
| A Month in the Country | ||
| 15 | Season Twelve to Season Twenty: 1909-1917 | 199 |
| Anathema | ||
| The Scoundrel | ||
| The Brothers Karamazov | ||
| The Imaginary Invalid | ||
| Nikolay Stavrogin | ||
| Stepanchikovo Village | ||
| Mozart and Salieri | ||
| 16 | Conclusion | 204 |
| Notes | 209 | |
| Bibliography | 226 | |
| Index | 232 |
| Price | Condition | Delivery | Seller | Action |
| $135.00 | Digital |
| WonderClub |
Denesheao Gotti
reviewed The Moscow Art Theatre on May 03, 2014
The Moscow Art Theatre
This is probably one of the top options for learning how to behave professionally on a film or TV set. It's a very thick, large form paperback with a wealth of information, and is written very, very well by two strong, famous professionals, Erin Gray and Mara Purl.
I sometimes can be slow to read, however I got through all 370 pages in 2 days because it was written so smoothly and was truly fun to read.
The information ranges from where to go first when you arrive, to the importance of being able to repeat your steps and gestures exactly for the camera (called matching) to little tricks other actors might pull on you, so it's a great help to give a beginner some pointers others are unlikely to teach you.
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