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Book Categories |
Acknowledgments | vii | |
Note on Dates | x | |
Introduction | xi | |
What Is Drama? | xi | |
Dramatic Conventions Then and Now | xii | |
Cultural Context | xiii | |
Page versus Stage | xiv | |
The Parts of a Play | xvi | |
Plot | xvi | |
Character | xix | |
Spectacle | xxi | |
Symbolism | xxiii | |
Tragedy | xxv | |
Comedy | xxviii | |
Major Moments in the History of Theater | xxix | |
Greek Theater | xxix | |
Elizabethan Theater | xxxii | |
Nineteenth-Century Middle-Class Theater | xxxv | |
The Provincetown Players | xxxvi | |
Contemporary American Theater | xxxviii | |
Regional Theaters | xl | |
Conclusion | xl | |
Plays | ||
Sophocles, Oedipus the King | 3 | |
William Shakespeare, Hamlet | 54 | |
Henrik Ibsen, A Doll House | 182 | |
Oscar Wilde, The Importance of Being Earnest | 254 | |
Susan Glaspell, Trifles | 317 | |
Tennessee Williams, The Glass Menagerie | 332 | |
August Wilson, Fences | 400 | |
David Henry Hwang, M. Butterfly | 469 | |
Biographical Sketches | 535 | |
Glossary | 541 | |
Permissions Acknowledgments | 547 |
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