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Preface | ||
Locations: An Introduction | ||
Old New York | ||
Bartleby in Manhattan | 3 | |
Mrs. Wharton in New York | 15 | |
Henry James: On Washington Square | 36 | |
Americans Abroad | ||
The Genius of Margaret Fuller | 51 | |
A Bunch of Reds: John Reed | 75 | |
Gertrude Stein | 92 | |
The Fate of the Gifted: Djuna Barnes | 104 | |
Wind from the Prairie | ||
The Prairie Poets: Carl Sandburg, Vachel Lindsay, and Edgar Lee Masters | 115 | |
Anderson, Millay, and Crane in Their Letters | 133 | |
Victims and Victors | ||
Seduction and Betrayal | 143 | |
Zelda | 168 | |
Sylvia Plath | 181 | |
Eugene O'Neill: A Sketch | 198 | |
Snapshots | ||
Mary McCarthy | 207 | |
Nabokov: Master Class | 212 | |
Elizabeth Bishop | 218 | |
The Sense of the Present | ||
Guilt, Character, Possibilities | 227 | |
Fictions of America | ||
Cheever; or, The Ambiguities | 239 | |
Citizen Updike | 251 | |
Paradise Lost: Philip Roth | 265 | |
In the Wasteland: Joan Didion | 277 | |
Reckless People: Richard Ford | 287 | |
Lives | ||
Katherine Anne Porter | 299 | |
Edmund Wilson | 308 | |
Truman Capote: Tru Confessions | 320 | |
Norman Mailer: The Teller and the Tape | 333 | |
Index | 343 | |
Permissions Acknowledgments | 353 |
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Add American Fictions, Just as Edwin Denby, Clement Greenburg, and Pauline Kael transformed the nature of criticism in the fields of dance, art, and film, respectively, Hardwick has redefined the possibilities of the literary essay. --The New Yorker A brilliant , American Fictions to the inventory that you are selling on WonderClubX
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Add American Fictions, Just as Edwin Denby, Clement Greenburg, and Pauline Kael transformed the nature of criticism in the fields of dance, art, and film, respectively, Hardwick has redefined the possibilities of the literary essay. --The New Yorker A brilliant , American Fictions to your collection on WonderClub |