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Acknowledgments | ||
Introduction | ||
Editing the Crisis | ||
To Usward | 3 | |
Hope | 4 | |
Dirge | 4 | |
Scintilla | 5 | |
The Freedom of the Free | 6 | |
After the Storm | 8 | |
The Road to the Bow | 9 | |
Shakespeare's Sonnet | 10 | |
Dad | 11 | |
Bread and Wine | 12 | |
Sonnet to Her | 12 | |
Gospel for Those Who Must | 13 | |
Again It Is September | 14 | |
Rencontre | 14 | |
"Courage!" He Said | 15 | |
The Teacher | 17 | |
Vision of a Lyncher | 17 | |
Letters Found Near a Suicide | 18 | |
Harlem | 23 | |
The Negro Speaks of Rivers | 24 | |
The South | 24 | |
Being Old | 25 | |
Negro Soldiers | 26 | |
Old Things | 27 | |
True Wealth | 27 | |
My Love | 28 | |
Prejudice | 29 | |
Motherhood | 29 | |
Decay | 29 | |
Courier | 30 | |
Father, Father Abraham | 31 | |
Brothers | 31 | |
Helene | 34 | |
The River | 35 | |
Moods | 36 | |
A Passing Melody | 36 | |
The International Spirit | 37 | |
Sonnet | 38 | |
The Proletariat Speaks | 38 | |
Exodus | 40 | |
Bluebird | 40 | |
The Little Page | 41 | |
Dunbar | 42 | |
White Things | 42 | |
Song of the Son | 43 | |
Banking Coal | 44 | |
The Servant | 47 | |
Emmy | 51 | |
A Man They Didn't Know | 79 | |
The Doll | 89 | |
Mr. Taylor's Funeral | 98 | |
The Marked Tree | 109 | |
A Tale of the North Carolina Woods | 122 | |
"High Yaller" | 127 | |
The Death Game | 145 | |
Unfinished Masterpieces | 160 | |
Nothing New | 164 | |
Drab Rambles | 172 | |
The Man Who Wanted to Be Red | 181 | |
On the Fields of France | 191 | |
The Broken Banjo | 194 | |
Exit, an Illusion | 211 | |
Twilight: An Impression | 221 | |
All God's Chillun Got Eyes | 224 | |
On Being Young - a Woman - and Colored | 227 | |
The Young Blood Hungers | 232 | |
College | 237 | |
Countee Cullen to His Friends | 242 | |
An Autobiography | 245 | |
New Literature on the Negro | 247 | |
The Symbolism of Bert Williams | 255 | |
Placido | 260 | |
Negro Authors and White Publishers | 263 | |
Steps Toward the Negro Theatre | 267 | |
The National Association of Negro Musicians | 273 | |
Soviet Russia and the Negro | 276 | |
The Younger Literary Movement | 288 | |
Antar, Negro Poet of Arabia | 293 | |
The Negro in Literature | 304 | |
Criteria of Negro Art | 317 | |
Our Negro "Intellectuals" | 326 | |
A Musical Invasion of Europe | 334 | |
Negro Authors' Week: An Experiment | 341 | |
The Work of a Mob | 345 | |
Documents of the War | 351 | |
Marcus Garvey | 360 | |
The Faith of the American Negro | 366 | |
Cooperation and the Negro | 371 | |
John Brown Day | 374 | |
Temperament | 377 | |
Three Achievements and Their Significance | 385 | |
The Present South | 394 | |
Africa - Our Challenge | 400 | |
Biographical Notes of Contributors | 409 | |
Bibliography | 421 |
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Add The Crisis Reader: Stories, Poetry, and Essays from the NAACP's Crisis Magazine, After its start in 1910, The Crisis: A Record of the Darker Races magazine became the major outlet for works by African American writers and intellectuals. In 1920, Langston Hughes's poem The Negro Speaks of Rivers was published in The Crisis and W. E. , The Crisis Reader: Stories, Poetry, and Essays from the NAACP's Crisis Magazine to the inventory that you are selling on WonderClubX
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Add The Crisis Reader: Stories, Poetry, and Essays from the NAACP's Crisis Magazine, After its start in 1910, The Crisis: A Record of the Darker Races magazine became the major outlet for works by African American writers and intellectuals. In 1920, Langston Hughes's poem The Negro Speaks of Rivers was published in The Crisis and W. E. , The Crisis Reader: Stories, Poetry, and Essays from the NAACP's Crisis Magazine to your collection on WonderClub |