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Above the River: The Complete Poems Book

Above the River: The Complete Poems
Above the River: The Complete Poems, , Above the River: The Complete Poems has a rating of 5 stars
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Above the River: The Complete Poems, , Above the River: The Complete Poems
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  • Above the River: The Complete Poems
  • Written by author James Wright
  • Published by Farrar, Straus and Giroux, April 1992
  • One of the most admired American poets of his generation, James Wright (1927-80) wrote contemplative, sturdy, and generous poems with an honesty, clarity, and stylistic range matched by very few—then or now. From his Deep Image-inspired lyrics to his
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One of the most admired American poets of his generation, James Wright (1927-80) wrote contemplative, sturdy, and generous poems with an honesty, clarity, and stylistic range matched by very few—then or now. From his Deep Image-inspired lyrics to his Whtimanesque renderings of Neruda, Vallejo, and other Latin American poets, and from his heartfelt reflections on life, love, and loss in his native Ohio to the celebrated prose poems (set frequently in Italy) that marked the end of his important career, Above the River gathers the complete work of a modern master. It also features a moving and insightful introduction by Donald Hall, Wright's longtime friend and colleague.

Publishers Weekly

Wright (1927-1980) has enjoyed a widespread influence on American poets; this collection of his life's work eloquently shows why. Born to a working-class family in Ohio, Wright was educated at Kenyon College, and though he traveled to Europe and lived in New York City, in his poetry he returned in an often elegiac mode to his industrially marred but still suggestive native Midwestern landscape. Writing with a ``lonely wisdom'' of life's fragility, Wright has few peers; his regrets over the limits of mortality, love and language are tempered, with utmost tenderness, by a sympathetic willingness to experience and endure. In purity of image, rhythm and solitariness of tone, Wright reflects the work of his admired Theodore Roethke and Edgar Arlington Robinson, as well as that of Robert Frost, but the aura of delicately wistful dreaming evoked in matchless free verse is his alone. In this collection, readers can handily compare Wright's early formal poems with his later, more fluid style; sandwiched in are his translations of work by Cesar Vallejo, Pablo Neruda and others. (May)


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