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Preface | ||
Prologue | 1 | |
Introduction | 4 | |
I | 'Here Comes the Bogeyman!' | 23 |
Reflection - Goya: 'Saturn Devouring His Child' | 48 | |
II | 'My Father He Ate Me...' | 53 |
Reflection - The Nymphaeum of the Emperor Tiberius | 78 | |
III | The Polyp and the Cyclops | 82 |
IV | The Devil's Banquet | 95 |
Reflection - the Feast of Corpus Christi, 1996: The Patum of Berga, Catalonia | 116 | |
V | 'Hoc Est Corpus' | 126 |
VI | 'Now ... We Can Begin to Feed' | 136 |
VII | 'Terrors Properly Applied' | 161 |
Reflection - Caravaggio: The Rest on the Flight into Egypt | 186 | |
VIII | 'Sing Now Mother ... What Me Shall Befall' | 192 |
IX | 'Herod the King, in His Raging' | 208 |
X | 'And Thou, Oh Nightengale' | 224 |
Reflection - Louis Desprez: The Chimera | 240 | |
XI | 'In the Genre of the Monstrous' | 246 |
XII | Circe's Swine: 'Wizard and Brute' | 262 |
XIII | 'All My Business Is My Song' | 284 |
XIV | 'Fee Fie Fo Fum' | 302 |
XV | 'Of the Paltriness of Things' | 326 |
Reflection - Albert Eckhout: Eight Brazilian Portraits | 340 | |
XVI | Going Bananas | 348 |
Epilogue: 'Snip! Snap! Snip!' | 374 | |
Notes | 388 | |
Acknowledgements | 423 | |
Index | 425 |
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Add No go the bogeyman, An exciting new work, richly illustrated, on the age-old images and stories about frightening men. In this provocative new work, Marina Warner goes beyond the terrain she covered in her widely praised From the Beast to the Blonde. She explores t, No go the bogeyman to the inventory that you are selling on WonderClubX
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Add No go the bogeyman, An exciting new work, richly illustrated, on the age-old images and stories about frightening men. In this provocative new work, Marina Warner goes beyond the terrain she covered in her widely praised From the Beast to the Blonde. She explores t, No go the bogeyman to your collection on WonderClub |