Crafting Authentic Voice Book

Pt. I	The delight and dilemma of voice
	Antipasto : Stopping by woods after a bronchoscopy	3
1	Reasons to read	5
2	Voice lessons	10
3	Email admissions	16
4	Two bands	19
Pt. II	Qualities of voice	21
	Antipasto : "Poems," by Gary Gildner	23
5	Qualities of voice	24
6	Information please	25
7	The appeal of narrative	29
8	Perception and surprise	33
9	Surprise for whom?	36
10	Humor, lightness, play	39
Pt. III	Trust the gush	43
	Antipasto: Olivia leads the way	45
11	The place of passion	48
12	"Outcast," by Lorie Barnhart	52
13	How voice is lost	54
14	The five-paragraph you-know-what	60
15	Of buts and burrs and bad advice	70
16	Grammatically high-strung	72
17	Whatever it takes : breaking the rules in style	77
18	Mischief, rebellion, attitude	87
19	Many voices	91
20	Imitation	99
21	"It's alive! : it's alive! : it's alive!"	108
22	Wear a mask, unleash a voice	110
23	The generative power of parallel structure	113
24	"Who said that?" by David Schuster	121
Pt. IV	Crafting authentic voice	123
	Antipasto : squirming, fretting, and fraud	125
25	Enter craft	126
26	Making it rougher	128
27	Mind pictures	130
28	Hit dem senses	136
29	What the ear knows	140
30	Linguistic inebriation	147
31	Living leaping words	149
32	Who's got the action?	157
33	Weeding the garden	160
34	Placement and payoff	166
35	Great lengths	170
36	Get your pipe and blow doughnuts : the speed of metaphor	175
37	Ingmar Bergman, Janis Joplin, and Howard Cosell : allusions to extend meaning	181
38	Behold this visage : how speech helps writing	184
39	In the beginning	187
40	And in the end	193
41	Working together	199
Pt. V	Voice and identity	201
	Antipasto : Huck, Holden, and Talya	203
42	The moves in one piece	206
43	A small work I have to do	213
44	Utmost essence	216
	Works cited	219
	Acknowledgments	225