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| Preface | ||
| Acknowledgments | ||
| Introduction | ||
| Vittoria Aganoor Pompilj | 1 | |
| Sibilla Aleramo | 9 | |
| Isabella Andreini | 18 | |
| Tullia D'Aragona | 26 | |
| Anna Banti | 35 | |
| Laura Battiferri Ammannati | 44 | |
| Luisa Bergalli | 50 | |
| Caterina Da Siena | 58 | |
| Laura Cereta | 67 | |
| Fausta Cialente | 76 | |
| Vittoria Colonna | 85 | |
| Contessa Lara | 95 | |
| Alba De Cespedes | 104 | |
| Grazia Deledda | 111 | |
| Cassandra Fedele | 119 | |
| Moderata Fonte | 128 | |
| Veronica Franco | 138 | |
| Veronica Gambara | 145 | |
| Natalia Ginzburg | 154 | |
| Amalia Guglielminetti | 163 | |
| Margherita Guidacci | 171 | |
| Armanda Guiducci | 179 | |
| Gina Lagorio | 189 | |
| Alessandra Macinghi Strozzi | 198 | |
| Gianna Manzini | 207 | |
| Dacia Maraini | 216 | |
| Faustina Maratti Zappi | 226 | |
| Lucrezia Marinella | 234 | |
| Chiara Matraini | 243 | |
| Maria Messina | 253 | |
| Elsa Morante | 261 | |
| Olympia Morata | 269 | |
| Isabella Di Morra | 279 | |
| Neera | 286 | |
| Ada Negri | 295 | |
| Giulia Niccolai | 302 | |
| Isotta Nogarola | 313 | |
| Caterina Percoto | 324 | |
| Antonia Pozzi | 333 | |
| Antonia Pulci | 344 | |
| Rosa Rosa | 353 | |
| Amelia Rosselli | 360 | |
| Suor Maria Clemente Ruoti | 368 | |
| Diodata Saluzzo Roero | 375 | |
| Matilde Serao | 386 | |
| Maria Luisa Spaziani | 395 | |
| Gaspara Stampa | 404 | |
| Suor Arcangela Tarabotti | 414 | |
| Laura Terracina | 423 | |
| Lucrezia Tornabuoni | 431 | |
| Annie Vivanti | 441 | |
| Selected Bibliography | 447 | |
| Index | 453 | |
| About the Editor and Contributors | 471 |
| Price | Condition | Delivery | Seller | Action |
| $153.55 | Digital |
| WonderClub |
Micheal Jewell
reviewed Italian Women Writers on November 02, 2015
Italian Women Writers
Translation by George Theodoridis
"Those who are fortunate should not believe that fortune will stay with them forever."
"All men are slaves, Agamemnon! Slaves to money, to Fate, to the cries of the masses, to the written laws!"
This play is set in the aftermath of the Trojan War, and stars Hecuba, the former queen of Troy.
I read this right after reading Andromache, which is worth reading, but I think Hecuba is the better of the two; it's tighter and more dramatic. Like Medea, this play is about the revenge of oppressed women, but unlike Medea she doesn't quite get away with it, although she doesn't actually face any repercussions in the play itself; the consequences of her actions are only foretold.
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Add Italian Women Writers, Women have had a long and active role in Italian letters. This reference work contains biographical, critical, and bibliographical profiles of 51 writers from the 14th century to the present day. The entries are written by contributors knowledgeable of th, Italian Women Writers to the inventory that you are selling on WonderClubX
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Add Italian Women Writers, Women have had a long and active role in Italian letters. This reference work contains biographical, critical, and bibliographical profiles of 51 writers from the 14th century to the present day. The entries are written by contributors knowledgeable of th, Italian Women Writers to your collection on WonderClub |