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At the end of what is (she cannot help observing) an extraordinary life, Elisabeth Rother has decided to write her memoirs. She recounts her narrow escape with her Jewish husband from the Nazis, and the perilous voyage to the New World of New Jersey, but those, for her, are mere facts of life. For Elisabeth, bighearted and obstinate, the most bothersome and consuming subjects are the unconventional paths and waywardness of her daughter, Renate, and her granddaughter, Irene.
The Empress of Weehawken is a curiously touching love letter to the difficult but sustaining love of mothers and daughters. Written in the voice of the author's very real grandmother, it is "superb . . . razor-sharp, desert-dry, and luxuriantly ironic" (The San Diego Union-Tribune).
Frau Professor Doktor Rother, the narrator of this brutally funny debut, is self-centered, cynical, sarcastic, fiercely proud of her Aryan heritage and incorrigibly anti-Semitic. As a German army nurse in WWI, Elizabeth Gierlich meets wealthy Jewish surgeon Carl Rother and marries him once he converts to Catholicism. They have a "racially impure" daughter, Renate, whom Elizabeth mocks and chastises relentlessly, even as she dotes on her. After the Nazis rise to power in Germany, life for Elizabeth's in-laws becomes precarious ("forced labor was not a high-earning profession"), and Carl's "honorary Aryan" status can't protect him from the SS once he irks them by protesting the forced sterilization of Jews. The Rothers flee to the "less-civilized world" of Weehawken, N.J., where Renate grows up, marries Jewish professor Dische, becomes a successful pathologist and has two children, a boy too intelligent for his own good and a rebellious daughter, Irene, whose adventures, tracked via letters and collect calls home, take her across the Middle East and Africa. Elizabeth dies in 1989, still outspoken and bigoted, and continues to meddle in her beloved daughter's life from Heaven. Dische evokes human failings so skillfully that readers will catch themselves laughing at mankind at its cruelest and darkest. (Aug.)
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