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When Simon Callow met the Yugoslav film director Dusan Makavejev to discuss his new film Manifesto, they both greatly looked forward to working together. Only months later the two were barely speaking.
A companion volume to Being An Actor, Shooting the Actor is a funny and disastrous account of a film made in the former Yugoslavia, together with new essays on film and film acting including Callow’s work in Amadeus and Four Weddings and a Funeral.
Shooting the Actor reveals more about the process of filmmaking and the highly complex nature of the role of both actor and director than any formal guide could ever provide.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Dave Farcy
reviewed Shooting the Actor on May 06, 2009
Shooting the Actor
I read the book after taking a class based on the technique, which class I enjoyed a lot. It's a very down to earth, no frills take on acting, based on practical introspection and self-observation without navel gazing. The premise is that you need to know your own psychological and physical limitations and then work on them in order to become an efficient actor. Obviously, this approach is useful beyond stage acting.
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