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Laura Nyro was a beloved and pioneering singer-songwriter of the 1960s and 1970s, whose songs were covered with great success by the Fifth Dimension; Blood, Sweat & Tears; Three Dog Night; and Barbra Streisand. This first biography uncovers previously never revealed details, including a love affair with Jackson Browne, and her relationship with painter Maria Desiderio.
Unappreciated in her time, Nyro’s legacy is currently experiencing a revival. With her groundbreakingly honest and passionate lyrics, her unusual and innovative rhythms and melody, Nyro’s influence is still felt by singers and songwriters today.
Young women growing up in the tumultuous 1960s found that the music of Bronx-born singer/songwriter Nyro was something they could cling to. Journalist Kort, who obviously felt the same way, here portrays the enigmatic performer in this first account of her life (1947-97), cut tragically short by ovarian cancer. Nyro was just a teen when she began what would become a long recording career, though renditions of her works by others (e.g., the Fifth Dimension, Barbra Streisand) would generally be more successful commercially than any of her own. Kort gathers every date, description, and dialog to draw a complete picture of her subject. For the legion of now middle-aged fans, there is perhaps too much minutiae regarding studio sessions, musical arrangements, chord variations, personnel changes, and industry infighting. Nyro's relationship with eventual power-broker David Geffen (her agent, representative, and friend) is more interesting, though the ending of that tale remains somewhat ambiguous. There is nothing here from Nyro herself, except what is culled from numerous interviews and the shared memories of family, friends, and fellow musicians. Musicologists and students of the history of popular music will wallow in the preponderance of information, especially as it pertains to Nyro's unquestionable influence on the music industry and the growth of women as both performers and composers. Those of us who knew every lyric of every song (and still do) would prefer a more accessible portrait of our goddess. Still, this biography is recommended for academic and public libraries. (Photos not seen.) Bette-Lee Fox, "Library Journal" Copyright 2001 Cahners Business Information.
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