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| Acknowledgements | ||
| General Editors' Preface | ||
| Introduction | 1 | |
| 1 | Realising Shakespeare on Film | 18 |
| 2 | Laurence Olivier's Henry V | 43 |
| 3 | Shakespeare and Film: A Question of Perspective | 61 |
| 4 | Radical Potentiality and Institutional Closure | 71 |
| 5 | Symbolism in Shakespeare Film | 83 |
| 6 | Oliver, Hamlet, and Freud | 103 |
| 7 | Branagh and the Prince, or a 'royal fellowship of death' | 126 |
| 8 | A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II | 145 |
| 9 | Katherina Bound; or, Play(K)ating the Strictures of Everyday Life | 156 |
| 10 | Drowning the Book: Prospero's Books and the Textual Shakespeare | 173 |
| Further Reading | 196 | |
| Notes on Contributors | 199 | |
| Index | 201 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
F Schouten
reviewed Shakespeare On Film on April 07, 2009
Shakespeare On Film
This is a bit of a mixed bag of a book. There's lots of fascinating material about the history of radio drama, and quite a bit of discussion about the unique capabilities of radio drama as an art form. However, the book has a more academic take than I'd have ideally liked - I'd have preferred slightly less literary theory, and slightly more literary practice. The chapters of the book that do deal with the nitty gritty of writing and producing a radio play have a sketchy, disconnected quality, as if they consist of classroom handouts hastily compiled into book form.
Still, there's much good material in this, and it has a well-annotated bibliography, which I expect to be a good guide to further reading.
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Add Shakespeare On Film, This collection of contemporary criticism highlights the ways in which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-structuralism, generating a radical reappraisal of Sh, Shakespeare On Film to your collection on WonderClub |