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Acknowledgments | ||
Note on Quotations and Translations | ||
On the Notes | ||
Introduction | 1 | |
I | Spectacle of Power, Harems of Language | 11 |
1 | Sun-Eye and Medusa-Head: Louis XIV's Memories | 13 |
2 | The Doors of the Seraglio: Racine's Bajazet | 41 |
II | Pathways of Pleasure | 61 |
3 | Between the Sacred and the Profane: Moliere's Dom Juan | 63 |
4 | Alchemy of Desire: The Bourgeoisie in the Festival | 81 |
III | Of Fasts, Feasts and Palimpsests | 97 |
5 | Writ(h)ing on the Belly: Pascal's Provinciales | 99 |
6 | Of Chocolate and Lexicography | 111 |
IV | The Body Decays | 127 |
7 | A Distraught Apollo: Rupturing the Heroic, Writing Praise | 129 |
8 | The Death of the Spectacle Body: Epitaphs and Political Erotica | 147 |
Conclusion | 165 | |
Notes | 171 | |
Works Cited | 223 | |
Index | 237 |
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Add Society of pleasures, In the days of Louis XIV, the experience of pleasure was as much a social and political tool as an essential ingredient in personal life. From the Memories of Louis XIV comes the term society of pleasures to describe the masses who lived under Louis's r, Society of pleasures to the inventory that you are selling on WonderClubX
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Add Society of pleasures, In the days of Louis XIV, the experience of pleasure was as much a social and political tool as an essential ingredient in personal life. From the Memories of Louis XIV comes the term society of pleasures to describe the masses who lived under Louis's r, Society of pleasures to your collection on WonderClub |