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From Elie Wiesel, a recipient of the Nobel Peace Prize and one of our fiercest moral voices, a provocative and deeply thoughtful new novel about a life shaped by the worst horrors of the twentieth century and one man's attempt to reclaim happiness.
Doriel, a European expatriate living in New York, suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die in an accident, together with his father, soon after. Doriel was a child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books—but it is enough. Doriel's parents and their secrets haunt him, leaving him filled with longing but unable to experience the most basic joys in life. He plunges into an intense study of Judaism, but instead of finding solace, he comes to believe that he is possessed by a dybbuk.
Surrounded by ghosts, spurred on by demons, Doriel finally turns to Dr. Thérèse Goldschmidt, a psychoanalyst who finds herself particularly intrigued by her patient. The two enter into an uneasy relationship based on exchange: of dreams, histories, and secrets. Despite Doriel's initial resistance, Dr. Goldschmidt helps to bring him to a crossroads—and to a shocking denouement.
In Doriel's journey into the darkest regions of the soul, Elie Wiesel has written one of his most profoundly moving works of fiction, grounded always by his unparalleled moral compass.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Sandra Capezzuto
reviewed A Mad Desire to Dance on December 19, 2011
A Mad Desire to Dance
Rating: 3.5* of five
Like any other Wiesel book, this is well worth reading. Don't be put off by the philosophy-student-at-2am first 50pp. Chapter 3, starting on p51, begins a different phase of the book and it's a much less claustrophobic experience after that.
Wiesel is justly famous for the memoir "Night". He's not a novelist, frankly, and a less talented writer would have turned this same story into the literary equivalent of waterboarding. Things like, "At times, in an involuntary and unpredictable way, everything spins around and becomes dislocated in my mind. At the slightest little thing, and often for no apparent reason, I weep without shedding tears and I roar with laughter. I'm lonely, terribly lonely, though a crowd surrounds me and hems me in{,}" are...well...clunky, to put it kindly. (That is from p140, the beginning of chapter 12.)
But...and here's the thing...there are passages that soar and look down at us, seeing sharp edges and stark corners where we see fuzz, mist, and shadows: "Against a world invaded by madness, should we use the faith of our ancestors, or our own madness?" (p110) And this is a simple throwaway line in a long dialogue paragraph!
I can almost forgive the non-novel-ness of the book for moments like that. I recommend the book to readers of Robert Pirsig's philosophical maunderings as a corrective, and to readers of Wiesel's own memoir as an act of solidarity with a man whose world contains so much that he can't keep it in, gotta let it out (to quote Stephen Georgiou/Cat Stevens).
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