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Art and Revolution in Latin America, 1910-1990 Book

Art and Revolution in Latin America, 1910-1990
Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990 has a rating of 4.5 stars
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Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990
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  • Art and Revolution in Latin America, 1910-1990
  • Written by author David Craven
  • Published by Yale University Press, October 2006
  • In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (
  • In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (
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Acknowledgments
Glossary of Terms and Abbreviations
Introduction: Revolving Definitions of the Word "Revolution"1
1The Mexican Revolution (1910-1940)25
The Institutionalization of the Revolution in the 1920s34
The Ministry of Education Murals (1923-1928) and the New Mass Politics37
Orozco's Murals in the Escuela Nacional Preparatoria (1926-1927)46
Chapingo (1926) and the Palacio Nacional (1929-1935)51
The Taller de Grafica Popular and Estampas de la Revolucion63
Critique: the "Socialization of Art" - A Future Challenge71
2The Cuban Revolution (1959-1989)75
Cultural Policy, Public Institutions, and Dialogical Art81
Cultural Democracy and Popular Engagement with Art85
Autogestion and the Socialization of Art90
Popular Culture versus Populism92
From Cuban Pop Art through Volumen Uno (1959-1989)94
Critique: Successes and Shortcomings on the Thirtieth Anniversary114
3The Nicaraguan Revolution (1979-1990)117
Protorevolutionary Developments prior to 1979123
Cultural Policy in Nicaragua during the 1980s135
Particular Artworks Exemplary of the 1980s143
New Forms of Patronage and Attendant Debates in the 1980s169
Contradictions in the 1980s within the Revolution171
App. ADiego Rivera, 1929: "New Plan of Study, Escuela Nacional de Artes Plasticas of Mexico"176
App. BGerardo Mosquera, 1985: "The Social Function of Art in Cuba since the Revolution of 1959"180
App. CErnesto Cardenal, 1980: "The Nicaraguan Revolution of 1979: A Culture that is Revolutionary, Popular, National, and Anti-Imperialist"183
App. DInterview with Ernesto Cardenal, 1983185
App. EInterview with Gioconda Belli of the FSLN, 1990188
App. FInterview with Nicaraguan Artists in the UNAP, 1990190
Notes191
Bibliographic Note215
Photograph Credits217
Index218


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Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990

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Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990

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Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990

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