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Acknowledgments | ||
Glossary of Terms and Abbreviations | ||
Introduction: Revolving Definitions of the Word "Revolution" | 1 | |
1 | The Mexican Revolution (1910-1940) | 25 |
The Institutionalization of the Revolution in the 1920s | 34 | |
The Ministry of Education Murals (1923-1928) and the New Mass Politics | 37 | |
Orozco's Murals in the Escuela Nacional Preparatoria (1926-1927) | 46 | |
Chapingo (1926) and the Palacio Nacional (1929-1935) | 51 | |
The Taller de Grafica Popular and Estampas de la Revolucion | 63 | |
Critique: the "Socialization of Art" - A Future Challenge | 71 | |
2 | The Cuban Revolution (1959-1989) | 75 |
Cultural Policy, Public Institutions, and Dialogical Art | 81 | |
Cultural Democracy and Popular Engagement with Art | 85 | |
Autogestion and the Socialization of Art | 90 | |
Popular Culture versus Populism | 92 | |
From Cuban Pop Art through Volumen Uno (1959-1989) | 94 | |
Critique: Successes and Shortcomings on the Thirtieth Anniversary | 114 | |
3 | The Nicaraguan Revolution (1979-1990) | 117 |
Protorevolutionary Developments prior to 1979 | 123 | |
Cultural Policy in Nicaragua during the 1980s | 135 | |
Particular Artworks Exemplary of the 1980s | 143 | |
New Forms of Patronage and Attendant Debates in the 1980s | 169 | |
Contradictions in the 1980s within the Revolution | 171 | |
App. A | Diego Rivera, 1929: "New Plan of Study, Escuela Nacional de Artes Plasticas of Mexico" | 176 |
App. B | Gerardo Mosquera, 1985: "The Social Function of Art in Cuba since the Revolution of 1959" | 180 |
App. C | Ernesto Cardenal, 1980: "The Nicaraguan Revolution of 1979: A Culture that is Revolutionary, Popular, National, and Anti-Imperialist" | 183 |
App. D | Interview with Ernesto Cardenal, 1983 | 185 |
App. E | Interview with Gioconda Belli of the FSLN, 1990 | 188 |
App. F | Interview with Nicaraguan Artists in the UNAP, 1990 | 190 |
Notes | 191 | |
Bibliographic Note | 215 | |
Photograph Credits | 217 | |
Index | 218 |
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Add Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990 to the inventory that you are selling on WonderClubX
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Add Art and Revolution in Latin America, 1910-1990, In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. He discusses the upheavals in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (, Art and Revolution in Latin America, 1910-1990 to your collection on WonderClub |