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Dialogues: Duchamp, Cornell, Johns, Rauschenberg Book

Dialogues: Duchamp, Cornell, Johns, Rauschenberg
Dialogues: Duchamp, Cornell, Johns, Rauschenberg, This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical, Dialogues: Duchamp, Cornell, Johns, Rauschenberg has a rating of 4.5 stars
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Dialogues: Duchamp, Cornell, Johns, Rauschenberg, This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical, Dialogues: Duchamp, Cornell, Johns, Rauschenberg
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  • Dialogues: Duchamp, Cornell, Johns, Rauschenberg
  • Written by author Dorothy Kosinski
  • Published by Dallas Museum of Art, October 2005
  • This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical
  • This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the bi
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This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical contact between these four artists, this is the first close look at the aesthetic consequences of their interactions. Dorothy Kosinski argues for a notion of dialogic exchange rather than influence, noting a number of shared characteristics in these artists' works including iconography (for example, appropriation of Leonardo's Mona Lisa), process (assemblage and collage), form (boxes), integration of text into the visual field (sardonic subtitles, nonsense inscriptions, etc.), and shared fascination with simple machines.

Featuring around 50 major works by these pivotal artists, including Duchamp's Green Box and Johns's Device, Dialogues reveals the complex and rich exchange manifested in their art.


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Dialogues: Duchamp, Cornell, Johns, Rauschenberg, This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical, Dialogues: Duchamp, Cornell, Johns, Rauschenberg

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Dialogues: Duchamp, Cornell, Johns, Rauschenberg, This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical, Dialogues: Duchamp, Cornell, Johns, Rauschenberg

Dialogues: Duchamp, Cornell, Johns, Rauschenberg

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Dialogues: Duchamp, Cornell, Johns, Rauschenberg, This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical, Dialogues: Duchamp, Cornell, Johns, Rauschenberg

Dialogues: Duchamp, Cornell, Johns, Rauschenberg

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