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Book Categories |
List of Illustrations | ||
Preface | ||
Acknowledgments | ||
List of Abbreviations | ||
Ch. 1 | Fin-de-siecle Vienna: Irrationalism and Renaissance | 1 |
'Jung Wien' and the Cafe Griensteidl | 1 | |
Irrationalism | 6 | |
Renaissance | 15 | |
'Naturalist' and 'Neo-Romantic' | 21 | |
Ch. 2 | Biography in Letters and Diaries | 26 |
Documentation | 26 | |
Arthur Schnitzler | 28 | |
Hugo von Hofmannsthal | 42 | |
The Autobiographical Impulse | 58 | |
Ch. 3 | The Theatre | 66 |
The World as a Stage: Theatre in Vienna | 66 | |
Anti-Semitism and the Press | 77 | |
Ends and Means: Professor Bernhardi | 87 | |
Critical Reception: Diagnosis Without Therapy | 98 | |
Hofmannsthal and Theatrical Comedy | 105 | |
Ch. 4 | Eros | 115 |
Double Standards and the 'Woman Question' | 115 | |
Schnitzler's Dramatization of Dalliance: Anatol, Liebelei, and Reigen | 126 | |
Hofmannsthal's Elektra | 137 | |
The Parting of the Ways (1910-11): Der Rosenkavalier and Das weite Land | 148 | |
Ch. 5 | The End of the Monarchy | 157 |
World War | 157 | |
The Birth of the Republic | 173 | |
Ch. 6 | Cultural Conservatism in the Theatre | 185 |
Hofmannsthal's Return to Drama: Der Schwierige | 185 | |
Der Unbestechliche | 199 | |
The Salzburg Festival: Intention and Reality | 201 | |
Ch. 7 | Post mortem | 218 |
Friends and Critics | 218 | |
Obituaries | 227 | |
Epilogue: The View from the Belvedere | 235 | |
Bibliographical Note | 247 | |
Notes | 251 | |
Index | 279 |
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