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Book Categories |
Art and Community | 9 | |
The Centrality of Place | 11 | |
Community as Context | 13 | |
Acknowledgments | 15 | |
The Essays | ||
Living on Reservation X | 19 | |
The Meaning of Life | 31 | |
Let X = Audience | 41 | |
Lost O'Keeffes/Modern Primitives: The Culture of Native American Art | 53 | |
Mary Longman: strata and routes | ||
There Is No Fixed Address for Reservation X | 67 | |
Nora Naranjo-Morse: gia's song | ||
On an Ordinary Day | 81 | |
Marianne Nicolson: House of origin | ||
Maintaining Identity in the Modern World | 95 | |
Shelley Niro: Honey moccasin | ||
Home Alone | 109 | |
Jolene Rickard: Corn blue room | ||
Unplugging the Hologram | 123 | |
Mateo Romero: Painted caves | ||
Conspiracy Theory | 135 | |
C. Maxx Stevens: If these walls could talk | ||
Environments That Tell Stories | 149 | |
Selected References | 159 | |
Contributors | 161 | |
Index to illustrations | 163 |
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Add Reservation X: The Power of Place in Aboriginal Contemporary Art, What is this place that Americans call the reservation, Canadians call the reserve, and many call the rez? For most contemporary Native people, this negotiated space is, was, or will be home. Reservation X showcases installations created by se, Reservation X: The Power of Place in Aboriginal Contemporary Art to the inventory that you are selling on WonderClubX
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Add Reservation X: The Power of Place in Aboriginal Contemporary Art, What is this place that Americans call the reservation, Canadians call the reserve, and many call the rez? For most contemporary Native people, this negotiated space is, was, or will be home. Reservation X showcases installations created by se, Reservation X: The Power of Place in Aboriginal Contemporary Art to your collection on WonderClub |