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Experimental Latin American Cinema: History and Aesthetics Book

Experimental Latin American Cinema: History and Aesthetics
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Experimental Latin American Cinema: History and Aesthetics, While there are numerous film studies that focus on one particular grouping of films—by nationality, by era, or by technique—here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film , Experimental Latin American Cinema: History and Aesthetics
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  • Experimental Latin American Cinema: History and Aesthetics
  • Written by author Cynthia Tompkins
  • Published by University of Texas Press, 2/15/2013
  • While there are numerous film studies that focus on one particular grouping of films—by nationality, by era, or by technique—here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film
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Acknowledgments Introduction. Mise-en-Scène, a Seemingly International Staging Part 1. A Neonoir Skew to the Action-Image Chapter 1. A Shimmering Suture: Fabián Bielinsky's Epileptic El aura Chapter 2. Slippery Criminal Pleasures: Intermediality and Voyeurism in Jorge Furtado's O homem que copiava Chapter 3. Endless Quest: Chasing Sex, Lies, and Money at the Gates of Hell in Heitor Dhalia's O cheiro do ralo

Part 2. Road Movies Chapter 4. The Paradoxical Effect of the Documentary: Walter Salles's Central do Brasil Chapter 5. Twin Piques: The Double Discourse of Carlos Sorín's El camino de San Diego Chapter 6. Orphans' Solidarity: María Victoria Menis's El cielito

Part 3. Drama Chapter 7. Sculpting Time: Inés de Oliveira Cézar's Como pasan las horas Chapter 8. The Past Engulfs the Present: Josué Méndez's Días de Santiago

Part 4. Experimental Auteurism Chapter 9. Whether or Not to End One's Life: Carlos Reygadas's Japón Chapter 10. Crime and Self-Inflicted Punishment: Carlos Reygadas's Batalla en el cielo

Part 5. Experimental Auteurism and Intertextuality Chapter 11. The Miracle of Female Bonding in Patriarchal Society: Carlos Reygadas's Stellet licht (2008)
Chapter 12. Cyclical Scapegoating: Inés de Oliveira Cézar's Extranjera Chapter 13. The Irrevocable Nature of Curses: Inés de Oliveira Cézar's El recuento de los daños Chapter 14. Splintered Mirrors, Echoes, and Reverberations: Fernando Pérez Valdés's Madrigal

Part 6. Experimental Pseudo-Documentary Chapter 15. Room with a View: Fernando Pérez Valdés's Suite Habana Chapter 16. Life Is and Is Not: Paz Encina's Hamaca paraguaya

Conclusion: Possible Futures Notes Bibliography Index


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Experimental Latin American Cinema: History and Aesthetics, While there are numerous film studies that focus on one particular grouping of films—by nationality, by era, or by technique—here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film , Experimental Latin American Cinema: History and Aesthetics

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Experimental Latin American Cinema: History and Aesthetics, While there are numerous film studies that focus on one particular grouping of films—by nationality, by era, or by technique—here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film , Experimental Latin American Cinema: History and Aesthetics

Experimental Latin American Cinema: History and Aesthetics

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Experimental Latin American Cinema: History and Aesthetics, While there are numerous film studies that focus on one particular grouping of films—by nationality, by era, or by technique—here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film , Experimental Latin American Cinema: History and Aesthetics

Experimental Latin American Cinema: History and Aesthetics

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