Guaman Poma: Writing and Resistance in Colonial Peru Book

Acknowledgments
Introduction to the Second Edition: Contextualizing the Nueva coronica y buen gobierno
Guaman Poma in the Documentary Record
The Production and Facsimile Reproduction of the Autograph Manuscript
Recent Advances in the Study of Guaman Poma's Visual and Verbal Art
Guaman Poma in the 1590s
The Expediente Prado Tello
Guaman Poma in the Expediente Prado Tello
Guaman Poma versus Don Domingo Jauli and the Chachapoyas
The Conclusion of the Land-Title Litigation
Guaman Poma in 1600: The Sentence of Exile from Huamanga
Chupas and the Chachapoyas in the Nueva coronica y buen gobierno
Mestizaje in the Nueva coronica y buen gobierno
Guaman Poma's Biography Reconsidered
Writing and Religion: The Visita Report
An Anticipated Glimpse into the Artist's Studio
Introduction
History Writing and Polemic
Challenging the Canon
l. Contradicting the Chronicles of Conquest
Guaman Poma's Exploitation of Written Histories
Respect for History
The Dominican Philosophy of Conquest
The Dramatization of a Hypothesis
The Present Overwhelms the Past
2. Searching for a Heroic Conception
Historical Truth and Moral Vision
Biographies of Incas and Kings
The Prologue Always Comes Last
The Nueva Coronica as Epic Story
3. From Story to Sermon
Granadine Strategies
On Moving the Reader's Affections
The Literature of Conversion
A Theory of Cross-Cultural Communication
The Privileged Role of Invention
The Simile of Lucifer
The Voice and Character of the Preacher
The Sermon Overtakes the Story
4. Icons in Space: The Silent Orator
Baroque Sensibilities
Visual Representationand Suppression
The Symbolic Values of Pictorial Space
Lines of Authority and Hierarchy
Disorder on the Horizontal Axis
Paradigms Lost: The Reversed Diagonal and the Empty Center
5. Mediating among Many Worlds
Allegory, Satire, and the Sermon
Of Caciques and Coyas
Inside the Coya's Chamber
The Present in the Past
The Author as Hero
Guaman Poma's Final Critique
Notes
Bibliography
Index