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Toward a Grammar of Abstraction takes as its point of departure three features of modern art reading: the practice of translating the visual into institutional language, the vocabulary of representation in relation to abstract art, and the prevalence of totality as a model of art-historical knowledge.
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Robert Anthony
reviewed Toward a grammar of abstraction on January 22, 2008
Toward a grammar of abstraction
Essays concerning art's definability (or lack thereof)
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