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| Foreword | ||
| Introduction | 2 | |
| Just what is it that makes the term "global-local" so widely cited, yet so annoying? | 12 | |
| Globalization or endless fragmentation : through the shadow of contradictions | 26 | |
| Autonomy, nostalgia, and globalization : the uncertainties of critical art | 48 | |
| When was modernism in Indian art? | 58 | |
| Vanguard of the middle way | 84 | |
| The millennial intake of humans as opposed to nonhumans, or who wins the Lotto and the role of the arts in the process | 104 | |
| Beyond the box : problematizing the "new Asian museum" | 122 | |
| Encounters and disencounters : a personal journey through many Latin American and U.S. Latino art worlds | 138 | |
| Forms of resistance, corridors of power : public art on the Mexico-U.S. border | 154 | |
| Desperately diasporic | 182 | |
| Online communities : experimental communication in the virtual diaspora | 192 | |
| Chinese artists in France | 210 | |
| Crystal palace exhibitions | 234 | |
| For opacity | 252 | |
| Modernity as a mad dog : on art and trauma | 258 | |
| Keeping it real | 278 | |
| Transit visa to postwar Lebanon! | 286 | |
| The return of the sign : the resymbolization of the real in Carlos Leppe's performance work | 306 | |
| The limits of cultural translation | 330 | |
| Researching culture/s and the omitted footnote : questions on the practice of feminist art history | 348 | |
| Der Glauber have Sept Cabecas | 364 | |
| The museological unconscious | 384 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Ryan Yokota
reviewed Over Here: International Perspectives on Art and Culture on June 17, 2013 Over Here: International Perspectives on Art and Culture
Fleming examines literacy through 16th century English graffiti and inscribed objects, decorated with visual patterning as well as text. She argues that the boundaries between writing and visual ornamentation were fluid, and that literacy was not limited by what was written on paper. These more ephemeral writings were document a writing which challenge late modern notions of literacy. Graffiti and object inscriptions were detached from the authorial subjectivity, and regarded as materialized thought. In this way, wall writings, tattoos, and inscriptions on domestic objects and clothing, had an expressive consciousness that existed independently of the writer.
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Add Over Here: International Perspectives on Art and Culture, The new realities of economic globalization have created new conditions for cultural practice. At the same time, the information circuits, designed to promote the generalization of Western culture, have also become increasingly available to other, more ma, Over Here: International Perspectives on Art and Culture to the inventory that you are selling on WonderClubX
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Add Over Here: International Perspectives on Art and Culture, The new realities of economic globalization have created new conditions for cultural practice. At the same time, the information circuits, designed to promote the generalization of Western culture, have also become increasingly available to other, more ma, Over Here: International Perspectives on Art and Culture to your collection on WonderClub |
