Design History: An Anthology Book

	Acknowledgments
	Introduction
	Drawing and the Ideology of Industrialization	3
	The Poster as Art; Jules Cheret and the Struggle for the Equality of the Arts in Late Nineteenth-Century France	17
	Tradition and Innovation: The Design Work of William Addison Dwiggins	28
	Super Veloz: A Typographic System for the Small Printer	44
	Imre Kner and the Revival of Hungarian Printing	53
	Alms for Oblivion: The History of Women in Early American Graphic Design	64
	The Designers go to the Fair, I: Walter Dorwin Teague and the Professionalization of Corporate Industrial Exhibits, 1933-1940	89
	The Designers go to the Fair, II: Norman Bel Geddes, the General Motors "Futurma," and the Visit-to-the-Factory Transformed	103
	Harley Earl and the Art and Color Section: The Birth of Styling at General Motors	122
	Design at CBS	145
	Promoting Aluminum: Designers and the American Aluminum Industry	158
	Reconsidering the Factory, Art-Labor, and the Schools of Design in Nineteenth-Century Britain	167
	Evolutionary Affinity in Arthur Mackmurdo's Botanical Design	178
	The Design Prototype as Artistic Boundary: The Debate on History and Industry in Central European Applied Arts Museums, 1860-1900	185
	Early Modern Design in Hong Kong	200
	Chinese Modern Design: A Retrospective	213
	That Was the Beginning	242
	The Irish Design Reform Movement of the 1960s	252
	Sources	271
	About the Contributors	273