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Overture: Maghrebi Women’s Transvergent Cinema Act I: Transnational Feminist Storytellers: Shahrazad, Assia, and Farida
1. Assia Djebar’s Transvergent Narrative in The Nuba of the Women of Mount Chenoua (Algeria, 1978)
2. Farida Benlyazid’s Initiated Audiences in A Door to the Sky (Morocco, 1998)
Act II: Screens & Veils
3. Yamina Bachir-Chouikh’s Transvergent Echoes in Rachida (Algeria, 2002)
4. Raja Amari’s Screen of the Haptic in Red Satin (Tunisia, 2002)
5. Nadia El Fani’s Multiple Screens and Veils in Bedwin Hacker (Tunisia, 2002)
Act III: From Dunyazad to Transvergent Audiences
6. Yasmina Kassari’s "Burning" Screens in The Sleeping Child (Morocco, 2004)
7. Selma Baccar’s Transvergent Spectatorship in Khochkhach (Tunisia, 2006)
Coda Appendix A: Political and Cinematic Chronology Appendix B: Primary Filmography Bibliography
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Add Screens and Veils: Maghrebi Women's Cinema, Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the pol, Screens and Veils: Maghrebi Women's Cinema to the inventory that you are selling on WonderClubX
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Add Screens and Veils: Maghrebi Women's Cinema, Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the pol, Screens and Veils: Maghrebi Women's Cinema to your collection on WonderClub |