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Introduction Haiti's transnational politics of "big man-ism" 1
Pt. 1 Straight, queer, and street
1 Trans-American constructions of black heteromasculinity : Dany Laferriere, le Negre, and the late-capitalist American racial Machine-desirante 25
2 From Fort Dimanche to Brooklyn : transnational regimes of violence, Duvalierism, and failed heteromasculinity in Raoul Peck's Haitian corner 59
Pt. 2 Queer fist
3 "Honey, honey, Miss Thing" : Assotto Saint's drag queen blues - queening the homeland, queer-fisting the dyaspora 85
4 Drag-kinging the dyaspora : Dred performing black (female) masculinities in Haiti's Tenth Department 114
Pt. 3 Rapping b(l)ack
5 (Rara) Rap Haiti! : Wyclef Jean's Chante pwen, embattled black masculinity, and diasporic remix as political protest 143
6 Trans-American art on the streets : Jean-Michel Basquiat's black canvas bodies and urban vodou-art in Manhattan 174
Conclusion Presidential politics, Haiti's Gwo Negs, and diasporic cultural production as transnational political protest 203
Notes 211
Selected bibliography 259
Index 293
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Add Artists, Performers, and Black Masculinity in the Haitian Diaspora, Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo nègs, or big men. She focuses on six artists and their work: writer Dany Laferrière, directo, Artists, Performers, and Black Masculinity in the Haitian Diaspora to the inventory that you are selling on WonderClubX
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Add Artists, Performers, and Black Masculinity in the Haitian Diaspora, Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo nègs, or big men. She focuses on six artists and their work: writer Dany Laferrière, directo, Artists, Performers, and Black Masculinity in the Haitian Diaspora to your collection on WonderClub |