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Introduction | 1 | |
1 | The two faces of Anatasia : narratives and counter-narratives of identity in Stalinist everyday life | 23 |
2 | Visual pleasure in Stalinist cinema : Ivan Pyr'ev's The party card | 35 |
3 | Terror of intimacy : family politics in the 1930s Soviet Union | 61 |
4 | Fear on stage : Afinogenov, Stanislavsky, and the making of Stalinist theater | 92 |
5 | "NEP without Nepmen!" : Soviet advertising and the transition to socialism | 119 |
6 | Panic, potency, and the crisis of nervousness in the 1920s | 153 |
7 | Delivered from capitalism : nostalgia, alienation, and the future of reproduction in Tret'iakov's I want a child! | 183 |
8 | "The withering of private life" : Walter Benjamin in Moscow | 217 |
9 | When private home meets public workplace : service, space, and the urban domestic in 1920s Russia | 230 |
10 | Shaping the "future race" : regulating the daily life of children in early Soviet Russia | 256 |
11 | The diary as initiation and rebirth : reading everyday documents of the early Soviet era | 282 |
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Add Everyday Life in Early Soviet Russia: Taking the Revolution Inside, What did it mean to live as a subject of early Soviet modernity? In the 1920s and 1930s, in an environment where every element of daily life was supposed to be transformed by Soviet ideology, routine activities became ideologically significant, subject to, Everyday Life in Early Soviet Russia: Taking the Revolution Inside to the inventory that you are selling on WonderClubX
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Add Everyday Life in Early Soviet Russia: Taking the Revolution Inside, What did it mean to live as a subject of early Soviet modernity? In the 1920s and 1930s, in an environment where every element of daily life was supposed to be transformed by Soviet ideology, routine activities became ideologically significant, subject to, Everyday Life in Early Soviet Russia: Taking the Revolution Inside to your collection on WonderClub |