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Foreword: A Message from Tito Capobianco | ||
List of Interviews | ||
Using the Guide | ||
Pt. I | Preparation | |
1 | Body Awareness: Stretching for Flexibility and Power | 1 |
2 | Postural: Aligning the Body | 11 |
3 | The Expressive Face: Communicating Emotions Onstage | 17 |
4 | Character Study: Decoding the Clues to Character | 24 |
5 | Environment: Setting the Stage | 32 |
Pt. II | Integration | |
6 | Elements of Stagecraft: Learning the Language | 41 |
7 | Historical Etiquette: Bowing to Tradition | 48 |
8 | Improvisation: Unlocking the Imagination | 56 |
9 | Monologues: Talking Opera | 64 |
10 | Physical Analysis: Moving in Character | 70 |
Pt. III | Application | |
11 | The Aria: Making Choices | 79 |
12 | The Scene: Putting It All Together | 87 |
13 | The Opera: Preparing a Role | 94 |
14 | Performance Anxiety: Facing Fear | 104 |
15 | Careers in Opera: Stepping Out | 111 |
App. A | Attitude Chart | 117 |
App. B | Postural Alignment by Emily Bogard | 118 |
App. C | Literary and Historical Background of Selected Operas | 130 |
App. D | Stage Manager's Handbook | 139 |
App. E | Stage Combat: Faints, Falls, and Fights | 145 |
Bibliography | 149 | |
Index | 151 |
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Add Singing,Acting,and Movement in Opera, ... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.' —Tito Capobianco Singing, Acting, and Movement in Opera is , Singing,Acting,and Movement in Opera to the inventory that you are selling on WonderClubX
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Add Singing,Acting,and Movement in Opera, ... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.' —Tito Capobianco Singing, Acting, and Movement in Opera is , Singing,Acting,and Movement in Opera to your collection on WonderClub |