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| Introduction | ||
| 1 | Who's Been in My Closet? Mimetic Identification and the Psychosis of Class Transvestism in Single White Female | 3 |
| 2 | Michael Jackson's Penis | 13 |
| 3 | The Telephone and Its Queerness | 34 |
| 4 | John Rechy and the Grammar of Ostentation | 59 |
| 5 | Homodevotion | 71 |
| 6 | Deviance and Dissidence: Sexual Subjects of the Cold War | 93 |
| 7 | As the Master Saw Her | 112 |
| 8 | Tango and the Postmodern Uses of Passion | 130 |
| 9 | Hyphen-Nations | 149 |
| 10 | "We Are Family": House Music and Queer Performativity | 165 |
| 11 | Compulsory Homosociality: Charles Olson, Jack Spicer, and the Gender of Poetics | 197 |
| 12 | Performing "Nature": Shamu at Sea World | 217 |
| 13 | "If We Could Talk with the Animals": Elephants and Musical Performance during the French Revolution | 237 |
| Notes on Contributors | 249 | |
| Index | 251 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Mark Emory
reviewed Cruising the performative on July 24, 2009
Cruising the performative
A very enjoyable series of essays on Abraham Lincoln as war President. Written by the major scholars of the Civil War living in the last half of the twentieth century, these essays are about as good as you get in analysis of Lincoln. A joy to read.
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