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Ch. 1 | What Is Exposition? An Essay in Temporal Delimitation | 1 |
Ch. 2 | Exposition and Order of Presentation: Some Preliminary Notes | 35 |
Ch. 3 | Delayed and Distributed Exposition in the Odyssey: The Dynamics of Narrative Interest | 56 |
Ch. 4 | Order of Presentation, Delayed and Distributed Exposition, and Strategies of Rhetorical Control | 90 |
Ch. 5 | The Rhetoric of Anticipatory Caution: First Impressions in "First Impressions" and the Poetics of Jane Austen | 129 |
Ch. 6 | Retardatory Structure, Expositional Suspension, and the Detective Story | 159 |
Ch. 7 | A Plea for Preliminary and Concentrated Exposition: The Cases of Trollope and Balzac | 183 |
Ch. 8 | Expositional Motivation, Temporal Structure, and Point of View (1): Varieties of Omniscient Narration | 236 |
Ch. 9 | Expositional Motivation, Temporal Structure, and Point of View (2): Restricted and Self-Restricted Narration | 276 |
Notes | 307 | |
Index | 325 |
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Add Expositional Modes and Temporal Ordering in Fiction, ... this is one of the few books on narrative worth reading and rereading, a study that will make—or should make—a difference in the way we read narrative. —Nineteenth Century Fiction This is a remarkable book: original, clear-sighted, and luminousl, Expositional Modes and Temporal Ordering in Fiction to the inventory that you are selling on WonderClubX
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Add Expositional Modes and Temporal Ordering in Fiction, ... this is one of the few books on narrative worth reading and rereading, a study that will make—or should make—a difference in the way we read narrative. —Nineteenth Century Fiction This is a remarkable book: original, clear-sighted, and luminousl, Expositional Modes and Temporal Ordering in Fiction to your collection on WonderClub |