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Book Categories |
1 | The harmless drudge : defining ethnomusicology | 3 |
2 | The art of combining tones : the music concept | 16 |
3 | Inspiration and perspiration : the creative process | 27 |
4 | The universal language : universals of music | 42 |
5 | The nonuniversal language : varieties of music | 50 |
6 | Apples and oranges : comparative study | 60 |
7 | I can't say a thing until I've seen the score : transcription | 74 |
8 | In the speech mode : contemplating repertories | 92 |
9 | The most indefatigable tourists of the world : tunes and their relationships | 113 |
10 | Come back and see me next Tuesday : essentials of fieldwork | 133 |
11 | You will never understand this music : insiders and outsiders | 149 |
12 | Hanging on for dear life : archives and preservation | 161 |
13 | I am the greatest : ordinary and exceptional musicians | 172 |
14 | You call that fieldwork? : redefining the "field" | 184 |
15 | What do you think you're doing? : the host's perspective | 197 |
16 | Music and "that complex whole" : music in culture | 215 |
17 | The meat-and-potatoes book : musical ethnography | 232 |
18 | Music hath charms : uses and functions | 244 |
19 | In the beginning : on the origins of music | 259 |
20 | The continuity of change : on people changing their music | 272 |
21 | Recorded, printed, written, oral : traditions | 291 |
22 | The basic unit of all culture and civilization : signs and symbols | 302 |
23 | Location, location, location! : interpreting geographic distribution | 320 |
24 | The whys of musical style : determinants | 339 |
25 | I've never heard a horse sing : musical taxonomies | 357 |
26 | The creatures of Jubal : instruments | 376 |
27 | How do you get to Carnegie Hall? : teaching and learning | 388 |
28 | I'm stranger here myself : women's music, women in music | 404 |
29 | Diversity and difference : some minorities | 419 |
30 | A new era : the 1990s and beyond | 431 |
31 | The shape of the story : remarks on history | 443 |
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