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Book Categories |
Ben Johnston : a chronology | ||
I | On music theory | |
Aesthetic theory; philosophical background for mathematical theory; musical background for application of mathematical theory | 3 | |
Scalar order as a compositional resource | 10 | |
Proportionality and expanded musical pitch relations | 32 | |
Microtonal resources | 41 | |
Tonality regained | 46 | |
Music theory | 53 | |
Rational structure in music | 62 | |
A notation system for extended just intonation | 77 | |
II | On musical aesthetics and culture | |
Musical intelligibility : where are we? | 91 | |
A talk on contemporary music | 103 | |
Festivals and new music | 107 | |
Three attacks on a problem | 109 | |
On context | 118 | |
Contribution to IMC panel | 122 | |
How to cook an Albatross | 126 | |
Art and survival | 134 | |
On bridge-building | 143 | |
Seventeen items | 149 | |
Art and religion | 151 | |
Extended just intonation : a position paper | 153 | |
A.S.U.C. keynote address | 156 | |
Just intonation and mere intonation | 163 | |
Without improvement | 166 | |
Maximum clarity | 171 | |
III | Some compositions | |
On string quartet no. 2 | 183 | |
On sonata for microtonal piano | 185 | |
The genesis of knocking piece | 187 | |
Qunitet for groups : a reminiscence | 192 | |
On Carmilla | 196 | |
On crossings (string quartet no. 3 and string quartet no. 4) | 199 | |
On the age of surveillance | 201 | |
On string quartet no. 5 | 203 | |
On string quartet no. 6 | 204 | |
On journeys | 205 | |
On sleep and waking | 207 | |
IV | On other composers | |
Letter from Urbana | 211 | |
To perspectives of new music re. John Cage | 216 | |
The corporealism of Harry Partch | 219 | |
Harry Partch/John Cage | 232 | |
Harry Partch's cloud-chamber music | 235 | |
Beyond Harry Partch | 243 | |
Regarding La Monte Young | 251 |
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