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Acknowledgments | ||
Introduction | ||
I | History of Film Editing | 1 |
1 | The Silent Period | 3 |
2 | The Early Sound Film | 39 |
3 | The Influence of the Documentary | 53 |
4 | The Influence of the Popular Arts | 71 |
5 | Editors Who Became Directors | 81 |
6 | Experiments in Editing: Alfred Hitchcock | 97 |
7 | New Technologies | 110 |
8 | International Advances | 129 |
9 | The Influence of Television and Theatre | 149 |
10 | New Challenges to Filmic Narrative Conventions | 160 |
II | Editing for the Genre | 179 |
11 | Action | 181 |
12 | Dialogue | 194 |
13 | Comedy | 207 |
14 | Documentary | 219 |
15 | Imaginative Documentary | 235 |
16 | Ideas and Sound | 243 |
III | Principles of Editing | 253 |
17 | The Picture Edit and Continuity | 255 |
18 | The Picture Edit and Pace | 267 |
19 | The Sound Edit and Clarity | 277 |
20 | The Sound Edit and Creative Sound | 285 |
21 | Conclusion | 294 |
Appendix A: Cutting Room Procedures | 296 | |
Appendix B: Filmography | 298 | |
Glossary | 308 | |
Selected Bibliography | 318 | |
Index | 321 |
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